# Pro Tools for Dolby Atmos Music Production submission checklist

## Native project

- [ ] Project opens on a second institution lab system.
- [ ] Required media is copied, collected, consolidated, or relinkable.
- [ ] Tracks, bins, clips, sequences, buses, and versions use the course naming convention.
- [ ] No unexplained offline media, unsupported dependency, or temporary export remains.

## Final deliverables

- [ ] Pro Tools Atmos session with configuration record
- [ ] ADM BWF master
- [ ] Required binaural and stereo re-renders
- [ ] Bed/object and motion decision log
- [ ] Four-format translation and loudness report
- [ ] Archive manifest and five-minute walkthrough

## Quality control

- [ ] Export settings were checked against the written specification.
- [ ] Exported files were opened outside the authoring timeline.
- [ ] The programme was watched or heard from beginning to end.
- [ ] Start, end, duration, channel layout, synchronization, captions, and metadata were checked where applicable.
- [ ] Known limitations and accepted exceptions are documented.

## Evidence

- [ ] Six module checkpoints are included.
- [ ] Decision log connects revisions to observable evidence.
- [ ] Five-minute walkthrough identifies project structure, key decisions, QC, and delivery package.
- [ ] Self-assessment uses the 100-point portfolio rubric.