Lens Field of View Simulator

Calculate horizontal, vertical, and diagonal FOV, with a live top-down view diagram.

Lens Settings

50mm

FOV Diagram, Top-Down View

Results

Crop Factor—
Full-Frame Equivalent—
Horizontal FOV—
Vertical FOV—
Diagonal FOV—
Frame Width at Scene Distance—
Frame Height at Scene Distance—
Lens Character—

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How to Use the Lens FOV Simulator

The Lens Field of View Simulator shows how different focal lengths appear on different camera sensors (full-frame, APS-C, etc.). Input focal length and sensor size to see the field of view in degrees. Critical for pre-production planning and understanding lens equivalence across cameras.

Understanding Focal Length & FOV

Focal length (measured in millimeters) determines how much of the scene you see. 24mm is ultra-wide. 200mm is zoomed in. The same focal length appears different on different sensor sizes.

Sensor Size Matters

Choosing Lenses

Wide angle (24-35mm): Landscapes, establishing shots, environmental storytelling. Creates distance and drama.
Normal (50mm): Close-ups, interviews, matches human perspective.
Telephoto (70-200mm): Compression effect, background blur, isolates subjects. Doesn't flatten faces like wide angles do.

FAQ

Q: Is a full-frame camera better than APS-C?
A: Not necessarily. APS-C cameras are smaller, cheaper, and more portable. The 1.5x crop can be an advantage for telephoto work.

Q: What focal length looks most cinematic?
A: 35mm and 50mm are considered cinematic. Avoid extreme wide angles (which distort) and extreme zooms (which feel surveillance-like).

Worked examples: field of view by sensor and focal length

How much of a scene each lens actually sees, on four sensor sizes. Field of view depends on the sensor as much as the lens, which is why the same 50mm looks normal on full frame and noticeably tight on Micro Four Thirds.

SensorLensFull frame equivalentHorizontal viewVertical view
Full frame16mm16mm96.7°73.7°
Full frame24mm24mm73.7°53.1°
Full frame35mm35mm54.4°37.8°
Full frame50mm50mm39.6°27.0°
Full frame85mm85mm23.9°16.1°
Full frame135mm135mm15.2°10.2°
APS-C (Sony/Fuji)16mm24mm72.6°52.0°
APS-C (Sony/Fuji)24mm36mm52.2°36.0°
APS-C (Sony/Fuji)35mm53mm37.1°25.1°
APS-C (Sony/Fuji)50mm75mm26.4°17.7°
APS-C (Sony/Fuji)85mm128mm15.7°10.5°
APS-C (Sony/Fuji)135mm203mm9.9°6.6°
Micro Four Thirds16mm32mm56.8°44.2°
Micro Four Thirds24mm48mm39.6°30.3°
Micro Four Thirds35mm70mm27.8°21.0°
Micro Four Thirds50mm100mm19.6°14.8°
Micro Four Thirds85mm170mm11.6°8.7°
Micro Four Thirds135mm270mm7.3°5.5°
1 inch16mm43mm44.8°30.8°
1 inch24mm65mm30.8°20.8°
1 inch35mm95mm21.4°14.3°
1 inch50mm135mm15.0°10.1°
1 inch85mm230mm8.9°5.9°
1 inch135mm365mm5.6°3.7°

The full frame equivalent column is the number to compare across cameras. The 24mm lens on Micro Four Thirds and the 50mm on full frame both see 39.6 degrees horizontally, so they frame the same shot from the same spot. They do not render depth of field the same way, which is a separate question from field of view.

Vocabulary

Field of view. How wide an angle the camera records, measured in degrees. A larger number means more of the scene fits in frame. Quoted horizontally, vertically or diagonally, so always check which one a specification means.

Focal length. The distance in millimetres from the lens's optical centre to the sensor when focused at infinity. Shorter lengths see wider, longer lengths see narrower and appear to compress distance between near and far objects.

Crop factor. How much smaller a sensor is than full frame, expressed as a multiplier. Multiply focal length by the crop factor to find the full frame lens that would frame the same shot. APS-C is around 1.5, Micro Four Thirds is 2.

Full frame equivalent. The focal length that would give the same field of view on a 36 by 24mm sensor. A translation between systems, useful because most lens intuition is described in full frame terms.

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