Tutorials Special Editorial Series

Features You May Not Know About

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By Infinite Creation · Beginner · ~7 min

A 1960s mid-century comic book style editorial illustration showing an editor discovering a tool with a colleague looking on, with an edit timeline on a large screen, a keyboard with a shortcut overlay visible in the frame.

About This Series

Every major creative application, from After Effects and Premiere Pro to DaVinci Resolve, Logic Pro, and Blender, is packed with hidden buttons, modifier keys, and workflow features that even experienced professionals overlook for years. This series investigates specific, high-impact features that eliminate redundant workarounds, reduce render times, and fix daily creation headaches.

Series Entries

Entry #1 • Motion Design

After Effects: Why "Collapse Transformations" Is the Layer Grouping Feature You're Missing

Stop making 8K/24K precomps to avoid pixelation. Learn how the Collapse Transformations / Continuously Rasterize switch (☀️) acts as a non-destructive layer group, preserving vector scaling and 3D depth.

Entry #2 • Audio Engineering

Pro Tools: Why Clip Gain Beats Volume Automation for Levelling

Clip gain feeds your compressor. Volume automation does not. Why levelling with the wrong tool fights you.

Entry #3 • Motion Design

After Effects: Master Properties End the Duplicate-Precomp Problem

Duplicating a precomp to change one word gives you two comps to maintain. Master Properties gives you one.

Entry #4 • Workflow Optimization

REAPER: Custom Actions Turn Fifty Clicks Into One Key

Chain any built-in commands into one keystroke, with no scripting. The sequence you run forty times becomes one key.

Entry #5 • Photography & Color

Lightroom: Match Total Exposures Levels a Whole Shoot at Once

Lightroom reads the EXIF of every selected photo and normalises the set to one reference image.

Entry #6 • Music Production

Logic Pro: The Groove Track Makes Everything Follow One Performance

Designate one track and the rest follow its timing rather than the grid. Groove without quantizing everything.

Entry #7 • Video Editing

Media Composer: Top and Tail Are Not on Your Keyboard Yet

Top clears everything left of the playhead, Tail everything right. Neither is mapped by default.

Entry #8 • 3D Modeling

Blender: Hold Alt to Change a Value on Every Selected Object

Hold Alt while editing a field and the change applies to every selected object at once.

Knowledge Base

What goes in this series

Every entry has to clear the same bar: a feature that ships in software people already own, that measurably changes a workflow, and that is routinely worked around by people who do not know it exists. Not a hidden shortcut for its own sake: a capability whose absence has people building something laborious instead.

The test is whether knowing it removes work. If the honest answer is "that saves an occasional click", it does not qualify. If it is "I have been pre-composing at 8K for years to avoid that", it does.

Entries stay short and single-purpose: the problem people solve the long way, the feature that solves it directly, and the specific circumstances where the workaround is still the right call. Coverage spans After Effects, Premiere Pro, DaVinci Resolve, Logic, Pro Tools and REAPER, and the series grows as entries are written rather than to a fixed schedule.

Where This Fits

These features speed up paid tools, and Blender for Motion Graphics covers a free route to 3D motion graphics.

How to find these yourself

Most software ships with capabilities the people using it daily never encounter, because nothing surfaces them at the moment they would help. The features in this series are not hidden. They are simply not in the path anybody walks through the interface.

Read the release notes when an application updates. It takes a few minutes, it is the only place a developer reliably describes what changed, and it is where the majority of genuinely useful additions are announced to an audience that mostly skips them.

Notice your own irritation. Any moment you think there must be a better way than this is a signal worth acting on, because there usually is, and the search takes less time than continuing to do it the slow way for another year.